Batik meets screen printing and thickened dyes.

Batik meets screen printing and thickened dyes.

Love it! This is so fun and so fast and so fabulous! I drew the design first with wax and a djaunting tool onto the screen. Then I used dye paste from Prochem with dye and soda ash. Since this was the first time, I had no idea how much I needed, so I prepared to do a lot of runs with the screen. Then I pushed the dye through the screen and repeated. The yellow dye is so bright and cheerful!

I was expecting it to run, especially because my design was a bit on the fine side, but the print paste did it's job very well. The whole process only took an hour. I had a lot of waste (only because the soda ash was mixed in, otherwise, I could have saved the left overs). And the process is messy, but I had so much fun doing it, I didn't even notice. And the best part....there is no wax to get out of the cloth!! The design remained very true and the dyes also stayed bright through the entire process. I will make some fish with this fabric. The last note is cleaning the wax off the screen. I haven't done it yet, so I don't know. To see more complete description of the techniques used, see Jane Dunnewold's book Improvisational Screen Printing.

What I'm Thankful For

What I'm Thankful For

Well, there are a lot of things that I am thankful for, but today, I am directing my attention towards my children's school. I am so very thankful for the transfer we received so that they could go there. I am thankful for all their teachers and the support staff that allow so much learning and love happen in the classrooms. This year I am making a quilt for the yearly fundraising auction. How appropriate that I should finish the quilt top today! I am grateful to get to share it with you!

Learning to Draw with Wax

Learning to Draw with Wax

I have a couple of projects in mind that I would love to draw with wax. Unfortunately, most of my experience with batik has been stamping objects....so this whole cloth is my practice, or maybe I should say, another opportunity to practice. I love the navy and turquoise together. I was happy with the design. I still want more practice and more control.

I found it to be kind of like drawing with your wrist instead of your fingers. This reminds me of machine quilting, which I find to be like drawing with your entire arm up to the shoulder. It feels strange and unusual at first, but eventually you start to get the hang of it.

Control is more difficult as the nature of the wax changes while you are drawing. When it is hot, it is very fluid and you have to move fast. As it cools, you have to slow down. I was also having problems with big drops of wax running down the outside of the djanting tool unexpectedly leaving drips. Rats! I keep thinking, surely, there must be an easier way, one that gives you a bit more control over the process. I did not find it, so for now, I must go with the flow!

This piece is 60" x 60" whole cloth. I expected it to be much more difficult to get the wax out than it actually was. And expect for a rather large wad of wax that got trapped in the center, it didn't take much time at all to get the wax out.

Vertigo

Vertigo
27" x 60"

The yellow bellied bird has a fear of heights and sits paralyzed below the sunflower seeds; a metaphor for the fear of success. A contrived and artificial path waits before him. If only he would realize that he has wings to fly...

This is the fourth in a series using real construction fencing as an embellishment in my quilts. (You can see the others by following this link to Plover Lover, Only One, and Balancing Act, you might have to scroll down a bit. ) You could call this art using trash, as I found the construction fencing blowing around in the street. None of the workers near by seemed to care that they were missing a piece of this lovely fencing blowing around, so I decided to make the world a prettier place, in more ways than one!

I am thrilled to say that I got the fat envelope from Houston. This means that it got juried into the show, which is an amazing thrill in and of itself. Even better was the next letter. It said that Vertigo had won a cash award. The awards ceremony is this Tuesday night. I can't stand the suspense!!

Yahoo!! Vertigo won second place!!

I am thrilled! If I hadn't already lost my voice, I would be definitely shouting from the roof tops! And our group quilt, Kiwi and Fuschia Meet for Mojitos, also won 2nd place! If you haven't seen it yet, scroll down a bit. You can see all the winners by clicking this link.

Kiwi and Fuschia's Little Sister

Kiwi and Fuschia's Little Sister
approximately 21" x 23"
SOLD

 This is the little quilt our group made for the IQA auction in Houston this year. Quick and fun to make and we had plenty of fabric. Makers include: Sherri Lipman McCauley, Kathy York, Raewyn Khosla, Connie Hudson, Frances Holliday Alford, and Leslie Jenison. It is called Shades of Kiwi and Fuschia.

Fauna Wins 2nd Place at PIQF!!

3rd Time's the Charm!
Fauna Wins 2nd Place at PIQF!!

Fauna by the Gomez Sisters, Frances Holliday Alford, Kathy York, Vickie Hallmark, Julie John Upshaw, and Judy Coates Perez, (left to right), has won 2nd place at Pacific International Quilt Festival in Santa Clara, California! Fauna made it's first public showing in Quilting Arts Magazine (April, 2007). As a group, we longed for Fauna to be seen in person at a quilt show, and are delighted that it has done so well, especially after been rejected from two other venues. Below I have attached a few close ups (you might have guessed, I have a new close up lens that I have been playing with). Can you tell that I love dots?  Enjoy!

Meet Kiwi and Fuschia

Meet Kiwi and Fuschia
84" x 49"

This is our group quilt for Houston IQA this fall. It was juried in and apparently has won a cash award because we got the call from Houston last week! Hurray!
Kiwi and Fuschia win 2nd Place!!
The full name of our quilt is Kiwi and Fuschia Meet for Mojito's. Group members include: Frances Holliday Alford, Sherri McCauley, Connie Hudson, Leslie Jenison, Raewyn Khosla, and Kathy York. Apparently we are now the Austin Art Quilt Bee from Brooklyn, NY. What? Okay, really, one of our members just moved to NY, and since the quilt was entered under her name, somehow our group identity has been slightly altered. Oops! We really are based in Austin, but over the years our quilts have come to include members from other cities as well, including: San Antonio, TX, Portland OR, Portland, MA, and now Brooklyn, NY.

Our group members met weekly throughout the winter and spring to make fabric for this quilt. We were taking a class to learn some surface techniques and after the class was over, we picked a color palette, basically chartreuse and fuschia including everything in between when dyeing in successive layers. This quilt was an extension of our quilt from last year, Altered States. We decided to do our collaboration while making the fabric, instead of after the blocks were made. So... we would dye something and then exchange fabric. Then maybe add a layer of shibori, or batik, dye again, and exchange again, and on, and on, and on....We also decided to work with more than just cotton this time. We selected cottons, silks, organza sheers, and silks from old wedding dresses. After we made piles and piles of fabrics, we brought it all together, had a pizza party and then started dividing it up. Each member had a big stash to use when making blocks. After all the blocks were made (and quilted by the artist), we assembled them in a period of about 4 days. Whew!! The the finishing touches, border (satin stitch), label, hanging tube, photograph, and our entry was sent off to Houston. An intense labor of love, this quilt must be seen in person! It is absolutely beautiful!

Jamie Fingal's New Book!!

Jamie Fingal's New Book!! Jamie Fingal's fabulous new book is very soon to be released. I am very pleased to have been included in this fabulous collection of little embellished quilts. My quilt, Art Quilt Bee, was selected and I couldn't be more thrilled. Interestingly, this little quilt of mine is about my art quilt bee (really?). And one of the members, Frances Holliday Alford, has a number of quilts in this book as well (How We Look at Fruit, Tide Pool, and Yellow). Awesome!! Want to see some photos from inside the book? Follow this link!

Ruffle Skirts

Ruffle Skirts

I decided to make my daughter some simple ruffle skirts for school this year. Not satisfied with anything in my stash, I saw a big pile of white fabric that was still waiting for inspiration. I grabbed it and ran. I made her 3 ruffle skirts, and dyed matching t-shirts and bicycle shorts (from Dharma Trading Co.). I thought this was going to be an easy plan, but it turned out to be anything but.

I ended up putting a different batik design on every fabric I used. Some were dye painted, others were waxed a second time and overdyed. I think they look really cute and my daughter is super happy with the results. Her eyes sparkle! I am still in awe of the number of hours I spent making in each one....if you are wondering, the fabric for EACH skirt took approximately 6 hours total, that's without the time to sew the skirt.

Learning to Fly

Learning to Fly
18" x 18"
private collection

This is the companion piece to Vertigo, which was just accepted as a finalist for the IQA show, Quilts: A World of Beauty, in Houston this fall! This piece, Learning to Fly, follows the adventures of our little yellow chickadee, with an appropriately happy ending. Simple and happy and beautiful, I have donated this little quilt to the IQA silent auction. Hey, if no one tries to buy it, does that mean I get to keep it??