Life Book 2015

Life Book 2015

I have taken a few weeks out of my calendar to put the finishing touches on my Life Book project (yes, sadly from 2015!).  I decided how I wanted to bind the pages, and what to use for the cover.  I have had practice with the binding process, (see these art journals here). You can also read more about the Life Book class on this link!

 

I painted this lovely bright flower painting when I was in elementary school.  It is acrylic on canvas, and I still had it after all these years!  I wrapped it around some book board to make a cover for my Life Book.  I just love the symbolism of where I started and where I have been going with art education! Plus, I am still a sucker for primitive art.  I remember when I painted this, how frustrated I was at the inability to control the thickness of the line with the black paint. Now, I kind of like it!

Here is the inside and cover page.  You can see where I wrapped the canvas painting around to the inside and covered with a piece of paper.

There are too many pages to show, and I think some of the projects are proprietary, so I can't show them all anyway.  However, this assignment was my favorite.  It had a formula that was easy to follow, but made easier by the fact that I had many unused postcards of my artwork that I was able to cut up and put on the luggage tags.  It made them so much more personal and fun for me.  I also used Mistyfuse to fold over the top of the tags with some of my batiked and dyed fabric circles.  Then I punched the hole through all the layers before tying the floss on.  I loved these so much that I used them on my luggage for a trip last summer.  They held up well and helped identify our bags quickly.  I also like them for small gifts and bookmarks.  I like them so much, that I keep making more!  Great project!

The right side of this photo, that was cut off, was one of our first assignments.  I paired pages from class either with other class pages or paintings made for fun and then put the back sides together.  I taped the inner edge and hand sewed the other 3 edges of the pages.  That way I had finished images on both sides of each page.  I like the texture of the hand sewn floss around the artwork too.  The above image shows a class assignment (cut off) on the right and a small watercolor I did at the beach the following year.  I thought the colors looked well together, so they were paired up.

Here's another random page from my book.  The right side was an assignment.  There is a letter folded and tied with ribbon in the center of the right page.  The left page was just PLAY.  I love the abstract nature of the image and how fun it was to put together.  And, I like the way the 2 pages play together.

These two pages were all about acknowledging and appreciating our support systems.  The paper dolls were individualized to real people in my life, and have messages on them.  I had fun with this too, so I added our resident house cats, and some flowers (for good measure).  I painted a blue background and stitched on some organza pockets.  The assignment on the right was very similar. And though I'm not sure if these projects or crafts rise to the level of art, it just didn't matter to me.  I had fun doing it and it was meaningful.  (see #4 below).

I will reiterate that in spite of being somewhat reluctant and resistant, I DID learn the processes, and eventually learned how to put it together with my own voice.  I also gave myself permission to skip the lessons that were the least interesting to me. 

The absolute best things I got out of this class:
1.  Knowledge.  I know what matte medium is now! and Stabilo pencils! and watercolor crayons!
2.  Freedom to explore.  I no longer feel inhibited or intimidated by the supplies.
3.  Joy from playing.  With no intention in mind, I can start painting and it feels like playing.  I love it!
4.  Healing.  A number of the assignments worked on a deeper, subconscious, and intuitive place.  I loved the guided meditations.  I loved the assignments geared to working on issues.  These were the BEST!

Thanks so much Tamara!

Art Journaling

Art Journaling,
looking for my voice in mixed media

Last year I took a wonderful on-line mixed media class called LifeBook.  I was very hesitant about doing this kind of class, mostly because of my unfamiliarity with the materials. I didn't even know what gesso was! I learned all kinds of wonderful lessons from the myriad of teachers. However, since finding my artistic voice in fabric, I had a lot of resistance towards the weekly lessons because I was copying what the teacher was doing.  It rubbed me the wrong way.  I hadn't found my artistic voice in this mixed media thing and it was very frustrating!

And, one of the optional features of the class, was the sharing of our work on a private Facebook group.  It was inspiring to see the range of work being done.  It was amazing to make something that looked like the teacher's lesson when I had no confidence at the start that I could draw or paint like that.  It was incredible to see other people learning the same thing!  But, it also reinforced my need for finding my own voice because there was a small subset of people that were able to learn from the lesson, but create their own work.  It didn't look like a derivative, it was original and wonderful.  Must learn to crawl before walking, and so I set off to both learn and find myself.

Now, it is a year later, and I am happy to tell you that about half way the year, I branched off into a mini-side project to find my voice.  I started with half-sized pages, and just devoted one side per day to some play.  I also journaled each day on the page.  My intention was two-fold, in that I wanted to both find my voice, but also use the work to keep better track of my diet and exercise towards a more balanced and healthy life. Lofty goals! The daily work on the journal page kept me accountable to myself, and for the most part it worked!

What was most interesting is that the act of playing with watercolors, and colored pencils, and gesso, and paint, and markers was the THING that brought balance back, the rest just followed.  I gave myself permission to not have to plan every page, just play, on a daily basis.  The outcome of a beautiful page was no longer important.  Every day that I did this somehow freed me up to have a good day, a productive day, a healthy and balance day, and the ability to be flexible to what the day offered.  It was surprising to say the least!  Um, bad art leads to happy life?  Not exactly, it was just PLAY leads to happy life, and my form of play was with the colors on the page, and experimenting, and journaling about my life.

The end of the year came and I had almost 200 pages done.  I had also finished the LifeBook class, and the last lesson was about binding the pages we had worked on throughout the year.  I did not want to bind my artjournal pages in the same format, but I became motivated to see an alternative, one that I found on Youtube with SeaLemon.  Every question I had, she answered in one of her bookbinding tutorials.  I experimented with types of binding the pages in groups of 50 pages each, and found that I really like it when the art pages lie flat when opened.  I also like being able to see the entirety of each page.

The first one, I simply glued the edges of the pages, and then wrapped it in a hard cover.  I put about 5 layers of glue on the spine side of the pages, with heavy books weighing the pages down, and waited for them to dry in between coats.  I used cardboard from the drawing pads and used Mistyfuse on some of my own batiked fabric for the covers.  That was easy and also quite attractive because I love my batiked fabrics!  I also have a small watercolor journal that was bound this way, and I know that sometimes the pages fall out, so I added a small tie to the outer edges.  The results?

This one has a page coming loose

here's the tie to hold the loose pages in.

I like the simplicity of this style of binding, but I don't like that the pages come out so easily.  And, the book does not lie flat.  Perhaps not the best choice for these thick watercolor paper pages?

Try number 2.  For this one, I sewed strips of folded watercolor paper to the edges of each group of 2 pages.  This allowed me to stack the pages into small signatures and then sew the signatures together.

This took more time.  I had to cut the strips of paper, fold them, punch holes and sew to each individual page.  Then there was some time involved in sewing the signatures together.  It was all easy though.  This technique had the advantage of the pages opening flat, and you could see all the art, with the exception of the 1/4 inch covered by the white folded strip for the binding.  I also added a hard back cover with the Mistyfused fabric on the outside.  

The last one uses a form of a copic stitch.  And even with hard covers for the front and back, there is no cover for the spine. 

Spine from the top view

spine from the side view, love the rainbow threads!

Here is the last page with the back cover.  I selected some wrapping paper for the inside cover.

I think I like this style the best.  I used 6 strand embroidery floss that I ran through some beeswax.  The pages lie flat, and the thread only covers the art by a very little bit.  It is attractive too, and I used hard covers for the front and back with my batik fabric.  The only disadvantage is that it takes a long time to stitch all the pages together, one by one.  I also used some clear packing tape on the edge of each page just to make it stronger. See link here for instructions on youtube by SeaLemon.

All in all, a fun project, one that I will continue into this year.  And, now that I know a bit about binding, it makes pre-planning my pages a much easier prospect!  Here are some images of the art I made this year.