Currents: Part 2
78.5 x 79
If you follow me on social media, you have been seeing the slow reveal of this project with photos of the steps taken along the way. If you are here on my blog, you get to see the final project first!
I love the organic lines of this quilt so much! And, it is also lovely as a memory quilt, memories evoked by each of the little prints sandwiched in between the solids. I could see this easily being a memory quilt with photographs printed on fabric instead of the commercial print fabrics. That would be so fun and so meaningful as well, like a quilted scrapbook!
Here are a few of the process shots I took along the way:
This is the full scale drawing taped to the floor. It will become my pattern. It is drawn in pencil (and eraser) and traced with a black sharpie pen. I also added a grid to show the straight of grain, and put registration marks every 8 to 10 inches along the way. Then the pieces are cut apart with scissors.
Here are some of the pieces spontaneously curled into these loops. I chose two different values of each solid color stripe.
The paper pattern is held in place by weights that are easily moved around as needed. I traced the borders of each paper piece in pencil. If you have done this, you will know that the fabric tends to stretch and pull with the friction of the pencil tip. I just used short strokes with the pencil, and that seemed to do the trick. After tracing, and transferring the essential registration marks, I cut about 1/4" out from the traced line for the seam allowance. The right sides will be placed together and pinned and stitched along those drawn lines. This is what makes the pattern work, if your pencil lines are right on the edge of the paper, and your seam is right along the line, you will essentially sew back together all the same shape as the original paper pattern.
Cut out, and placed together with the white strips. Next I will cut up the center white strip and insert sections of my favorite prints (one at a time). I will check the shape as I go by comparing with the paper template of that center part.
After all the piecing, the basting, which I am doing by hand on my kitchen table.
I wanted to hand quilt this quilt. I didn't care that it would take a long time because I was not in a hurry. So, I opted to hand baste the quilt. I love the way hand basting holds the quilt sandwich together, surprisingly better than pin basting.
The quilting: I started in the middle of the quilt. I wanted to use both heavy weight and light weight threads. The heavy weight threads were really difficult to pull through the quilt sandwich. It was very slow going.
Then I had to make a hard decision, which I waited too late to do. Two things were bothering me. One was that somewhere in the process, I got the tension wrong, and the more I worked, the more that tension problem distorted the quilt as I went along. It did NOT work itself out. The second problem was that I did not like the texture of the hand quilting. For whatever reason, it was not appealing to me. URG!
After months of hand quilting, I opted to yank it all out. I did one section at a time and replaced with machine quilting. Which I also did NOT like. So I ripped that out and tried a third idea. That one worked! Finally!
I am happy now! I just had to finish ripping out all that hand quilting and slowly replace it with the machine quilting.
I also had another issue while machine quilting. I sometimes use masking tape to help me with the spacing of the lines. I wanted to use it for some parts of this quilt, namely, the big white sections. The quilting on those lines follow the curve above it. Unfortunately, I could barely see my masking tape on a white background. I didn't know they made black masking tape, but they do. And it works. Such high contrast was easy to see!
I only had one small problem with this tape. If you accidentally sew too closely to it, the black adhesive sticks to the needle and goes down into the quilt, and you can SEE the little black marks after quilting and removing the tape. It was a learning process, to go slowly and NOT sew too closely to the black tape. Done!
After quilting came all the regular tasks, trimming the quilt, blocking it, adding a facing and hanging tube, and the label. Then the photography. For a white quilt, natural lighting is best. I usually hang the quilts from the front of my house, by the garage door. Sometimes the lighting is wonderful. It is hard to get bright intense diffuse light though, so I normal get a blue cast from photographing in the shadow. It is easy enough to repair in photoshop, but then it kind of tweaks the other colors just a little off. It is very frustrating. Suffice to say, the actual quilt looks so much prettier and softer and brighter than my photos of it.
I am still in the middle of the reveal on Instagram and Facebook. If you want to see more, you can follow along there too!
