Wednesday, June 16, 2021

64" x 62"

Whoot hoo!  Finally finished with this one! 
Caterpillar side:

Butterfly side:

This quilt for me is all about the similarities and differences between the four panels.  They each have things in common with each other, but also differences.  And, from my previous post... I love the way the tops of the butterfly panels flow together in a continuous arc.  It is a metaphor for the differences in individuals and yet they all belong to the same family or community. It is a feeling of belonging, like a safety net, or a protective arc, like an umbrella, helping us weather the storm.

You may notice that the white fabric on the back looks a bit less than white? Each panel has a slight color cast because there are so very many threads of different colors used for the quilting.

Even though I pin basted the quilt, I wanted absolutely no shifting between the layers.  I started in the middle and worked my way out by removing the pins, and replacing with hand basting every 2 inches or so.  Then I filled in with some machine quilting.  Then I went back in for the close spaced machine quilted lines.

You can see the front (the green and orange), with the rolled up section of the back (the blue butterfly).

The caterpillar side of the blue panel with all the quilting lines going through the tiny pieced "humps".

The same section of the quilt from the butterfly side showing the quilting lines and thread colors
Quilt Textures:
You may remember from the previous post, my concerns about doing this matchstick densely spaced quilting over all the tiny pieces sections with lots of seam bulk? Well, I opted to put in the carefully trimmed batting.  In some sections, I even put in the extra batting just to add another element of texture design.  It is kind of cool how the circles show up on the other side, just from the extra individual circles of batting that are inside the quilt, and how they allude to the design on the opposite side of the quilt.

This side is the caterpillar side.  I inserted a circle of batting under the white circle.

This is the butterfly side of the same panel.  Can you see the evidence of the extra circle shaped batting?
It is a subtle effect but really quite interesting!

Two-sided binding:
The very top photos show the quilt photographed on a grey back board.  If you look closely, you can see that the binding does not distract from the design.  I pieced it to match the different colored sections, and I made it two-sided.  That way, it could be white on one side of the quilt, and black on the other.  This required a "knife-edge" binding, which was not at all easy.

Also, on the butterfly side of the quilt, I tried to match the black binding to the section of the wings that were going off the edge of the quilt.  I made a design decision to just use a solid black, even though there were more colors on the edge. 

Hanging tube:
The quilt was so heavily quilted, that a simple white tube (the same color as the background fabric), would have stuck out and not blended in. I made the painstaking decision to top stitch the tube with all the same colors.  Yeah, I did that!

One color at a time, I went down the tube and traced where it should go. This is the mostly empty sleeve on top of the back of the quilt.
Nearly there, I am almost finished with this blue section and ready to move on to the warmer section on the right.
Here is the tube sewn with a tuck and pinned to the back.
The photo of the butterfly side of the quilt at the top has the hanging sleeve already sewn on it.  Can't see it? Yep, that was the point!  Success!!!

Wednesday, June 09, 2021

Quilting over seam allowances

My most recent finish was a two-sided quilt, and the front side has some tiny piecing on it, which makes for some hefty seam allowance bulk for my consideration. Just recently I heard about hump jumpers. (You can google it to find places to buy one or see youtube videos on how to use them.)

Perhaps you have experienced the really bad tension problems that result from sewing over a bulky seam? The reason for the biggish loops of thread that appear on the back side is that your walking foot is not level while sewing over them. As it approaches the thick stack of seam allowances, the front of the foot tilts up. As you sew over and exit the thick stack, the front of the foot tilts down.  I don't know why that should matter, but it does. The hump jumper is meant to place under your sewing machine foot, first in the back, then take a few stitches, and then move it to the front....all in an effort to keep your sewing machine foot level while going over the changes in thickness. This sounds fine and reasonable to me, with the exception that there are just so many changes in thickness as I sew across a section of tiny piecing. It would require so many stops and moving of that hump jumper, that I would NEVER make it across an entire seam, much less hundreds of lines of stitching. 

My quilt required great precision on both sides though, because it is two-sided, so I had to do solve the dilemma. That's when my mind thought up this crazy scheme. I tried it out on a practice sample first.

I decided to use batting as a way to build up an extra layer of thickness near the bulkiest seams, in an effort to keep the walking foot slightly more level as it goes over. I put a piece of batting on the back side of the sections with tiny piecing. Then I cut a circle around the most extensive bulky seams, for each seam. 

I pinned the Swiss cheese looking batting in place (which will be basted if I decide to use this technique). Then I added a second layer of a full batting, and then sandwiched the entire thing together with top, the two batting layers and the back, held by more pins. 

Then I went crazy with the matchstick quilting. 
For convenience, I opted for one color of thread for the experiment. I was surprised how this much  orange thread changes the appearance of the white fabric. Regardless, I was very satisfied with the performance of the process. There was also an unexpected "gift" in this process. Either the cut out holes or the bulky seams left a vague texture that can be seen on the back. 
My mind reels with possibilities of how to use this in the future! And, this little sample was successful enough to give me confidence to move on the machine quilting of my Caterpillar quilt.  

Wednesday, June 02, 2021

Life imitating art?

I just saw this on Facebook (okay, with my scheduled posts, that was probably a weeks ago!), but it so closely resembles my art, that I found it a bit uncanny.  And, the truth is that this type of urban development is not new.  My work was based on Central Park in NYC.  Still, I like that developers are considering open space and recreational activities for residents. 

It reminds me of this quilt (Central Park), made in 2010. You can read more about it here.

They look remarkably similar, yes? Amazing!!

Wednesday, May 26, 2021

Sea, Sand, Sky
18" x 18"

This is number 5 of five in the little series. I wanted to try a view from the water and I love the way this looks! A great change of perspective, this one is my favorite. This might be my point of view if I were swimming in the ocean looking back at the land, or on a sailboat, or perhaps a surfboard. I didn’t quilt this one because I love the pure distinct lines of color. 

This one also presented a number of technical challenges.  Because I chose not to quilt it, it was substantially floppy. It was not really sturdy enough to hang on a wall.  And, I didn't make it big enough to wrap around a canvas.  Ultimately I decided to piece a white border on it, add some batting, and then wrap it around a canvas.  It made for a little bit of bulk on the edges and corners, but mostly those don't appear obvious. 

Here's a photo of it hanging above the mantel by my fireplace, along with some shells and dead coral I found on a trip to the Bahamas when I was a teen. Sharky is fond of it too! :)

Wednesday, May 19, 2021

Sand, Sea, Sky
11.5" x 11.5"

This is number four of five in my little series, a small abstraction of being on the beach and looking towards the water. Breathe in, breathe out. 

This little quilt has 24 different colors of fabrics, each one was cut 1" wide, and then the strips were sewn together to leave 1/2" strips visible.  I quilted each row with a variety of threads, some that were matching, and some that were not. It blurs the lines between the colors and makes the edges look a bit fuzzier. Kind of like drifting to sleep.

Here's a closeup of some of the threads. 
Ha! Sorry, that is not a very close detail shot! Trying again....
I also discovered that this many rows of stitching changes the texture significantly.  That can be a good thing or a bad thing, but I think I liked it better before I added the stitching.  So my next one will be THAT.  Just the pure simple strips of color.  

Wednesday, May 12, 2021

Sand, Sea, Sunset, Sky
12..75" x 12.75"

This one is pretty simple.  I just wanted to make a slightly bigger grid of these colors, and keep the colors and values more horizontal in composition.  It is still a lovely abstraction of the beach and the ocean and the sky.  Then I kept seeing in my head, a brilliant contrast of orange between the top two lines of blocks, so I auditioned the fabric.  I loved it! I have always been a fan of orange and blue! Meanwhile, there is some irony here.  I grew up on an east facing beach.  We see sunrises over the water, the sunsets are over the dunes. My memories of sunrises don't look like this at all, this one reminds me of sunsets. And, if that is so, it cannot be an abstraction of my home beach.  However, and regardless of all the thinking about this piece, it is ultimately about the 'feels' that come with it. And, I really like the feels. It is even softer and more wonderful in real life because you can see all the thread colors in the different stripes, and it's fun to throw in some unexpected colors!  It adds interest and movement and texture, all wonderful!

Since this little quilt has more contrast than the previous two, I call it the high drama one! Ha! What appears to be a calm sunset hides the dangers lurking beneath (sunset is when the sharks come out!).

This next photo, I was playing around with adding some shark fins. I did not ultimately decide to put them on, but decided to share it with you because I find it amusing and laughing is good!

Wednesday, May 05, 2021

 Between Me and the Beach
12" x 12"

For this one, I was thinking about obstacles to traveling.  The white grid work alludes to all the things that keep me from the beach, some internal and some covid.  My heart longs for the sounds and smells and sight of the beach. 

For the quilting, I wanted all the lines to go horizontally, following one line of color across the entire piece before changing thread colors again.  However, I did not want them to go across the white grid.  I wanted them behind the grid and associated with the sand and the water.  So, I realized that I should have quilted the grid work first, and then found a way to add the white on top.  That would have been a lot easier than what I actually did, which involved a lot of starts and stops.  I really like the way this one looks though, and may try another version of it, but this time planning ahead better. 

Wednesday, April 28, 2021

Ocean Circles
10.5" x 10.5"

I have started a new series of work based on a palette of solid colors I bought. There are a lot of them, so there will be a lot of fabric to make things from.  My inspiration is the ocean.  I have missed visiting the beach where I grew up because of the pandemic.  I also stopped going after my dad died, a little over 2 years ago.  It was hard to face the grief in such a familiar place with so many memories.  Now, I am ready to go, but also not ready to go.  I miss the beach, the water, the waves, the salt breeze, the dunes, the seagulls and pelicans.  Soon....

My plans for a big quilt began, and then I started having doubts, so I decided to make some small samples to see which one I would like the best.  It is interesting to me that my favorite was not the crowd's favorite (according to Instagram).  So I present to you, the crowd's favorite, Ocean Circles, the first in the series of five so far.  It alludes to the constantly changing shoreline from the waves lapping along the shore and the wind blowing the sand and dunes.  

The circles are hand cut and needle turned applique.  I pieced the blocks before attaching the circles, then the quilting.  This one is densely matchsticked quilted with a LOT of different thread colors.  I don't mind changing the thread in my machine now that I have a needle threader.  It make it so much easier and faster.  I like the texture and how the lines of color seem to change with a different background color as they move across the quilt. I also wish I had made this a bit bigger on the outer squares, so that there would have been room to face it and turn the edge under.  Or so I thought!  After picking these 2 colors for the binding, I am really please with the reference to land and water.  Sweet!

I also tried coloring these on paper first, to get an idea of the scale of the squares and circles.  The watercolors just did not give the same feeling as the fabrics.  In fact, if I had only used the paper for inspiration, I would have stopped.  The feeling I got was closer to "ick" than "wow, that is so calming".

This is the part where the experience of working with the actual medium that I am going to use saves the day.  I believed in the fabrics and the emotional appeal of the colors.  So I let the sketch go, and trusted my instincts.  

Of course, now that I look at the collection, I am having more ideas to investigate! 

Wednesday, April 07, 2021

the Butterflies (the other side of the Caterpillars)
64"ish x 64"ish

I find the the overall curb appeal is a bit weird for me, but this one is about the concept** (see below).  It had to be done this way, so I am making peace with it.

the design process:
I started with small bookmark sized sections. Some of these were redrawn/reinvisioned after coloring in.

Then I played with the ordering and the placement with things like this:

**That's when I decided that if I changed the shape of the top edge of the wings, they could line up and make a continuous arc across the top.  I loved the concept of this because it represents a great metaphor for differences in individuals and how they all belong to the same community. That feeling of belonging is like a safety net, or a protective arc, like an umbrella, helping us weather the storm.
The next step was to enlarge the shapes to full scale. I did it the old fashioned way with paper and pencil and eraser, occasionally resorting to measuring and math. I then traced the drawing with a Sharpie so that I can see it easily through the white fabric.
Also of note, I designed these panels to fit the largest sized frame I have for batik. I was able to fit two sections together which meant I had a total of two panels to make.  And, since I was dyeing for each part of the batik, I put the orange butterfly sections in the same panel, and the yellow and blue sections together.

After many hours of carefully applying the wax,

The sections were enclosed with a "wall" of wax and ready for the dye to be applied inside each wall,
After filling the sections with dye, they process overnight.  The next day it is rinsed with water, and the colors are checked.  In this case, I wanted more orange.  A slight delay because it required another layer of dye and waiting again.  The eternal wait.  Time never goes more slowly than waiting for the dye to process.... Then it is rinsed again to check the colors. And for this piece, the wax will be boiled out next.
This is a section after the wax is boiled out.  Next, I want to dye the white lines black.  To do this, I will need to add wax to everything that I just dyed orange, and the wax will have to be applied very precisely.  More patience was required than I have ever had, so I had to dig deep and settle in.

Here is a shot of the edge of the butterfly wing.  The grey line and the grey dots are the wax, and will protect the white fabric from the black dye.  In this photo, I have not started applying the wax to the orange parts yet.  Saving the "best" for last.... Finally, adding the black dye, and it looks so incredibly good.  All my dreams come true!
This shot has all the wax and all the dye.  All that is left is to boil out the wax.  By the way, the larger the piece, the harder this is.  I have to cram all this fabric, stiff with wax, into a large pot of boiling water.  The fabric folds in on itself in the pot and the wax gets trapped in the layers, which is problematic.  This process works better with more water.  However (and I found this out the hard way), if it has too much water, the fabric can also trap heat, which causes giant boiling bubbles to suddenly escape from one side and boil over the pot, or unexpectedly burn your arm if you happen to be stirring the pot at the same time.  Now I use long oven mitts when I do this.  
The finished panel, hanging outside to dry.

Then I had to repeat the entire process with the other panel, the blue one.

After the two panels were finished, I cut them, and stitched them in order of the caterpillars on the front, matching only the top edge of the arc for placement and adding some white panels to make it large enough.  

Time to start the quilting. This is the step that usually requires even more bravery.  It feels like so much work has gone into the parts, that the risk of quilting it has the possibility of ruining it. Wrong design, or other problems plague my courage.  It is time to remember all the time I have spent cultivating my skills and just relax into the challenge.  This is easier said than done.  I confront this same beast each and every time I make a quilt. It is interesting to me that sometimes the quilting does go wrong, and I rip it out and fix it.  A great metaphor for life, yes?

Wednesday, March 10, 2021

the Caterpillars
64"ish x 64"ish

Here is my completed top for the first side of the Caterpillars quilt. I am still debating how to quilt it while considering the butterflies on the back....However, if you were wondering how all the different segments previously posted are going together, here it is!

It's kind of bold and in your face!  It is also rather large, compared to a real caterpillar.  Imagine if the real ones were this big? That, my friend, would be a pretty colorful world, possibly a scary one too? I like how they look so different from each other, but really have a lot in common.  I will leave you to think about that.

Next week, I will have the back, all the butterfly segments sewn together.  Cheers!