47" x 45.5"
The first thing I did was select a color palette. I love this combination of greys with yellow, green, orange and magenta. Unlike the photos above, the actual magentas are a nice bright pop of color that goes so well with the others!
Next, I made a background quilt of all white and did straight line quilting in groups of thread colors. It's a subtle effect, but later I found that it was very useful in helping me line up and attach the big boulders.
The big boulders were machine pieced in blocks to get the little animals in the middles.
Then I drew a giant boulder on freezer paper and pressed on the back. With scissors I cut 1/4" larger than the paper and then used my iron to carefully press under the edges to the backside, using the freezer paper as a guide.
Peel off the freezer paper, hand baste the folded edges, and it was then read to attach to my pre-quilted background. Because the large boulders were....well, large, I put a layer of Mistyfuse to the backs of them. Then I arranged them on the background and pressed into place. SO EASY!
Then, one by one, I hand appliqued all around the edges of each and every boulder. I love hand applique, so I enjoyed that part too. And, I like the way the turned under edges look.
Next, I put tracing paper on top and sketched in some tiny chockstones. I used these little mini-sketches to make the tiny rocks and help with their placements. In retrospect, I am not sure I needed to do that much planning. Many of the little rocks were moved to different locations and used in different ways than I originally planned. I also discovered that I needed a lot more little rocks than I expected.
I probably could have obsessively filled every blank spot between the big boulders, because I loved the little rocks so much. However, I also really like the shapes made by the white background, so organic and interesting, and those shapes disappear if you add too many little rocks. In design language this is called the negative space. So, with great hesitancy, I stopped making the little rocks and let the negative space totally rock!
I finally added some machine quilting to the tops of the large boulders in giant organic spirals with contrasting threads. Absolutely loved this part! And, because of the Mistyfuse on the backs, the shapes were held in place really well during the quilting of the large spirals. This means that there were no distortions or wrinkles from the last stage of quilting. A welcome outcome because this part is a technically challenging to do well.
This is my second boulder quilt. Four of the boulders here were my prototypes for making this quilt:
Boulder Field was made from boulder shaped blocks that were completely machine pieced. I loved the way the boulders fit together in the design of this quilt, but I also wanted to try appliqued boulders to enjoy more freedom in the placements. I can't decide which I like better! Both of them work for me!
5 comments:
I love the solidity of the bottom one but I love the visual tension of the new one. Are those large boulders going to roll? are those little ones going to slip? how fun and engaging! I wont say 'as always' as that sounds like a marginalizing of the effort. your work continues to amaze and inspire! thank you for sharing.
Absolutely love how you showcased your process. THANK YOU!! What fantastic pieces, I can’t wait to see more of this series!
Brilliant and wonderful!
I love the first one in the post best. I have a question. Why did you choose to piece the animal pictures into the boulders as opposed to appliquéing them on top of the boulder?
Hi Rachel,
Good question. The original quilt, Boulder Field was all pieced. Back then, I was curious if I could make a pieced quilt that would look like boulders. The first 4 blocks in this quilt were practice blocks for the first quilt. So, I started with pieced blocks for this quilt, I just needed to make more, and then at some point, after accumulating enough blocks, I changed my mind and decided to try appliqueing the boulders.
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