More circles! Yay!! This is one of my stashbuster projects...the one in which I learn to piece circles in the form of the block known as Drunkard's Path. I pieced many, many circles for this quilt. And about half way through I learned how to do it without cursing so much! Ha!
On the left I have 8" pink circles on solid orange backgrounds. On the right, I have 6" orange circles on solid pink backgrounds. I thought the two sides would look significantly different because of the colors. What I learned, which is especially true for this color palette, is that that the value of the color was more significant. The placements of lights and darks (whether orange or pink) is what adds movement to the design. And for me, the size of the circles also plays a less dominant role than I thought it would. I like it though. It is cheerful and fun.
And, then I decided to try some really big circles, for the back! And, because the front is practically blinding, in your face, a LOT of color, I opted for a quieter design on the back. Then if I got tired of color, I could go for a more relaxed feeling. I pieced these giant (maybe 30" across?) circles from some neutral fabrics in my stash. I also won a $50 gift certificate to the Cloth Pocket from a little block contest at our Austin Modern Quilt Guild meeting with my good friend, Sherri McCauley. I spent that pretty quickly and added to my collection of neutrals. These came in handy for the back too!
I have already started quilting this one, but I'm not quite finished yet. And I don't have pictures of the quilting. I will eventually get it finished and share it with you.
Last note for today, this project has led to several others already! With the image of a big circle in my head, I started working on One Earth (and here). And, after a trip to the Houston Quilt Market I got a commission quilt for a fabric company (which you may have already seen on Instagram or Facebook), but I will blog about it next week!
The photo above shows the design of all the elements, but unfortunately did not capture the texture from the quilting at all. I am frustrated by how hard it is to take a good photo of a mostly white quilt. So many photo sessions!! Argh! I tried outside. I tried inside, with photo lights, with the flash, without any lighting. I tried using my old Nikon and my new Canon. I tried many, many fixes on Photoshop to make the photo look like the actual quilt. Many times I got all the colors right, except the green kept getting distorted. In photo terms, it is called, "What you see is what you get". This is supposed to work using the RAW mode. Mine did not. And I also shoot with a grey card from MacBeth (which I can never remember the correct name). Meanwhile, it is very obvious when shooting a white quilt when you get the lighting wrong. This one was close to the best I could do. I am so grateful that the detail shots are so much easier. The photo below looks like the quilt. I love the way the quilting lines show every tiny little ripple.
And despite my ranting, I am so happy to tell you that this quilt was juried into QuiltCon 2016!! I am very pleased that it will get a public audience, one that is in person, because of the afore mentioned problems with my photographs of this quilt. It will definitely look better in person!
You can read more about how I made it on a previous post from last March, here. As for the personal meaning for me? I was nearing the end of a long period of grieving and wondering if I should stop quilting. I had decided to sew up all the fabric I had into quilts (the Stashbuster project), and then quit. Or maybe quit? I didn't know where I was going. I felt lost. I also felt like I was over the hill, falling. The metaphor of these beads falling off a string, not knowing where they were going to land fit me perfectly!
And, if you have been following my blog, it will be obvious that I haven't quit yet. I am still working on the Stashbusters, on and off, but my muse has started singing to me again and I am working. Happily working. And last, I would like to share with you a funny picture of my cat that I previously posted on Instagram. The cats are supposed to stay off my quilts. This kitten hasn't learned that yet.
I decided it would be interesting to piece the back. I had 4 big white quadrants left over from the front that I wanted to use for the center here. So, I pieced the back using about 6" squares from these lovely pastels that were included in my fat quarter stacks from Hoffman Fabrics.
I opted to replace the darker purples with gray and then made 4 of these sets to look like this:
That big grey line is where my two design walls meet....
Next I pressed a freezer paper template to each section and cut them out like so:
Next, they were stitched with the white circles, another giant drunkard's path block, and the 4 blocks were stitched together:
I LOVE the effect! Very pretty! Also, I always make my backs bigger than the fronts, to allow for some shifting while quilting. So after quilting and trimming to the front of the quilt, it looks more like this (except the colors are a bit duller in this photo, I don't know why...):
And, I kind of like the trimmed off edges. And though it was lined up when I basted it, you can see a subtle distortion and uneven shapes on the edges. It doesn't bother me, even though I thought it would. It is part of what happens when you quilt in a spiral. Here's a close up of the quilting:
Luscious! I love the side angle view too!
And, if you are wondering, I don't always put something interesting on the backs. It just depends on the quilt. I have a giant quilt waiting for it's turn to be quilted and it has just a solid piece of fabric on the back. I am not kidding! :)
I had been playing with improvisational curves. Unfortunately, I like my curves too curvy. And, the improv curves work better with less curvy curves. Ultimately, this technique failed for me for this project because my pieces got increasingly distorted as the shape got larger. So, I opted for the more traditional approach for curved pieces. This is a method that works!
Draw your curves on a piece of freezer paper.
Cut out the paper shapes.
Press them to the RIGHT side of the fabric.
DO NOT cut along the edge of the freezer paper, DO cut 1/4" from the edge of the freezer paper, thus adding your seam allowance.
Then sew the pieces together (right sides together).
Bonus: The freezer paper templates can be reused many times!
I started by drawing some curves.
If you would like to see this is action, here's a short video of drawing the curves:
Also, I wanted my biggest and last curve to be a perfect circle, like a Drunkard's path pattern. So, I started with it first, and used a tape measure with holes punched in it (I punched the holes myself!).
Also, I mentioned in the video that you can make one big circle if you make 4 templates like this. Too silly! You don't need to make 4 templates, that's the beauty of having a template. Draw it once, and then use it 4 times to make a circle!
Next I cut the paper shapes apart with a rotary cutter. I did not hit the lines exactly, but that is really not too important, as long as you add the 1/4" as you cut your fabric to the actual edge of the freezer paper template. Press them to the right sides of the fabric, and cut them all out.
Here is another video showing using scissors to cut the seam allowance:
Here are all the pieces for one quadrant of the earth. You can see the seam allowances peaking out from the paper templates.
Next, gently peel off the freezer paper and then stitch the pieces together.
Fold each piece in half with the two sides touching and crease the middle, then fold again. You will have pieces that look like this. The creased folds will help you pin the pieces together.
When opened, it should look like this:
Here is a photo of how to match the creases:
Place one pin at each side, and a pin for each fold:
I like to sew with the larger piece on the top. Even though the folds look unwieldy, it is not too hard if you sew slowly. Here is a video with a few tips:
After sewing fabrics for all four quadrants, I selected a background, in this case white fabric.
Then a made a template for the background from the unused outer corner of the arcs I drew and cut earlier. Sorry, but I didn't take a picture of that one! You can get an idea of the shape by looking at the shape of the white corner pieces in the photo above.
Next up, the little i's. I used Mistyfuse on the back of all my fabrics. It is super easy and quick and fun! Cut out a piece of the Mistyfuse and press it to the back of the fabric using a teflon sheet to protect your iron. When it cools, peel it up and cut out your shape. I used varying widths and heights to make the i's and then decided their placement on the quilt top before any of them were pressed into place.
Last up, layering with batting and a backing (which is another post!), and quilting with my favorite grey Masterpiece from Superior Threads:
I had a LOT of fun with the quilting! It was fun to pick a different pattern for each of the layers. I did not have fun quilting the 1/2" concentric spiral of the background. I love the way it looks, but it is not fun too do it. I should also mention that I quilted the background BEFORE fusing the "i" shapes on. It made it much easier to get the effect I wanted. Then I went back and quilted the i's too!
Confluence. I just love that word. This quilt was the confluence of multiple things going on in my life and in the world. Part 1: One odd piece was related to the terrorist attacks on Paris. I had the television on, which is unusual for me because I don't have cable. I was watching the news in horror as the situation unfolded. That was the first I heard of the Climate Talks that were about to happen in Paris. And the last thing I would want is for terrorists to prevent that from happening. But I also had the fear, the unavoidable and understandable fear. I was worried that it would be a set-up for another attack.
Part 2: And, I have been shopping for a new car. The criteria was NEW, ah yes!, and it had to have better gas mileage than my old minivan. You may be wondering, but this is how the second part of the story is related to the first part. I want to do my part to help the global climate, as small and insignificant as it feels, it all adds up. I went searching for hybrid or electric car. I am so disappointed to tell you that it is just not working out for us. My son is too tall. He keeps hitting his head on all the smaller and more fuel efficient cars. It doesn't help that he is so inflexible and refuses to sit in the front seat, that's the Aspergers...and it is something I can work on, but it will take time. And I will have to temporarily give up another goal if this one becomes a priority. NUTS!! That left me shopping for a big car with bad gas mileage, and despite the fact that the price of gas is dropping, it just hits me the wrong way to buy a bigger and badder car. And, it requires trying out more car models than I have the patience for. I am the odd bird, I do not like to shop. So for now, we are still driving the old car, and will continue to do so...
Part 3: While at Quilt Market, I was given a giant stack of fat quarters of Me+You from Hoffman Fabrics. They were very nice to touch so the first thing I did when I got home was to wash them and iron them dry. It was a lot. And since I like to sew, this was a gift I can totally appreciate! Unfortunately, many of the colors are just not colors that I want to look at, much less sew with. So, I took out the pretty and bright and pure colors and set them in their own stack.
That left the darker earth tones and the lighter pastels, each got their own stack. They sat that way for a week, and one morning I woke up with this image in my head. And, I knew that the earth tones would actually be for the earth image. And, I LOVE the way bright colors pop with neutrals, so they would be the "i" figures.
It nagged me for 2 full days. I think sometimes we call this the MUSE. One week later the quilt was born, with slight modifications of the design, fully quilted, and ready to go. I entered it into QuiltCon2016 on the last day of registration. Keeping my fingers crossed that it will get in!
For me this quilt is about the expression: we have more things in common than the things that separate us. We all have family, and community, and we all live on one earth. We have to take care of that earth for our survival. The climate talks are a crucial part of that, but only one part.
Next week I will show you how I made it. My studio assistant, aka, my daughter, helped me film a few very short videos with some techniques I used. Stay tuned!
